Interviews
In The Studio with Cornelia Sollfrank | 1 Dec 2020, MoCDA
Opinions
Economies of Slow Looking | Catalogue essay for What If, Whereabouts? exhibition at Cloud IX Art Centre, Guangzhou, China
A New Commission at the National Museum in Warsaw Is Dangerously Homophobic | 21 Oct 2020, Hyperallergic
Reviews
Time in the Age of Capitalist Desire | 16 Jan 2020, Furtherfield
Modern Fables for a Dystopian World | 9 Sep 2019, Hyperallergic
Review of Ami Clarke: The Underlying at arebyte Gallery | 5 Nov 2019, Furtherfield
Review of I, I, I, I, I, I, I, Kathy Acker at ICA, London | 18 Sep 2019, Furtherfield
Spiritualist Drawings that Open Portals to Other Dimensions | 11 Apr 2019, Hyperallergic
The Mesmerizing Mundanity of Pierre Bonnard’s Late Paintings | 28 Mar 2019, Hyperallergic
Modern Fables for a Dystopian World | 9 Sep 2019, Hyperallergic
Review of Ami Clarke: The Underlying at arebyte Gallery | 5 Nov 2019, Furtherfield
Review of I, I, I, I, I, I, I, Kathy Acker at ICA, London | 18 Sep 2019, Furtherfield
Spiritualist Drawings that Open Portals to Other Dimensions | 11 Apr 2019, Hyperallergic
The Mesmerizing Mundanity of Pierre Bonnard’s Late Paintings | 28 Mar 2019, Hyperallergic
Review of Azzedine Alaïa: The Couturier at The Design Museum | 24 Sep 2018 Artmag
Review of Elmgreen & Dragset: This Is How We Bite Our Tongue at Whitechapel Gallery | 9 Dec 2018 Artmag